As part of a May trip emphasizing cultural exchange, William & Mary's Wind Ensemble toured sites and learned about educational opportunities while performing in England and Scotland.
While William & Mary will soon be saying goodbye to Phi Beta Kappa Memorial Hall in its current condition, the history and legacy of the building will not go unremembered.
William & Mary Associate Professor of biology Shantá D. Hinton, a member of the 50th commemoration committee, had the idea for the song and worked with Director of Choirs James Armstrong to find a composer to create it.
Phi Beta Kappa Memorial Hall and the Muscarelle Museum of Art at William & Mary will close in May in preparation for renovation work that also includes a new music building in the Arts Quarter.
Continuing to try to make students more aware of refugees in the local community, W&M music Professor Anne Rasmussen and her Middle Eastern Music Ensemble will host a benefit concert April 21 at the Kimball Theatre.
William & Mary continues to commemorate the 50th anniversary of the first African-American students in residence with special events, performances, exhibitions and guest speakers.
William & Mary first-year Assistant Professor of music Lauron Kehrer is using her research on American hip-hop music to teach a new class in it.
Jordan Gilliard will receive this year’s Monroe Prize in Civic Leadership at the Charter Day ceremony in Kaplan Arena Feb. 9.
A major book on opera in the United States by Prof. Katherine Preston, the David N. & Margaret C. Bottoms Professor of Music, was released by Oxford University Press in October 2017.
Jonathan Glasser, associate professor of anthropology at William & Mary, will be awarded the 2018 Thomas Jefferson Teaching Award at Charter Day on Feb. 9.
The Muscarelle Museum of Art will present "In the Light of Caravaggio: Dutch and Flemish Paintings from Southeastern Museums" as the new semester brings with it a vast array of opportunities for people to enjoy the arts at William & Mary.
Sophia Serghi is originally from the Republic of Cyprus and is currently a professor at the College of William and Mary.
Brian Rabinovitz is a neuroscientist who focuses on how the brain processes music. His specialty is memory, what makes us remember songs and what makes some songs impossible to forget.
Christine Niehaus performed the original piano score to the 1927 silent film “Wings”. The performance took place on November 11, 2017 at the American Film Institute Theater in Silver Spring, Maryland.“Wings” was the winner of the first academy award for best picture.
William & Mary’s Design Review Board approved initial exterior design concepts for the renovation of Phi Beta Kappa Memorial Hall and the new music building planned to be built next to it.
"It's not enough to sing it right," says Sarah Gallo, director of the William & Mary Women's Chorus. "We want to use our music to do big things."
The 2017-2018 school year marks the 50th anniversary of the first African-American residential students admitted to William & Mary. The university honors them and William & Mary’s entire African-American community this year through “Building on the Legacy,” a series of special events, guest speakers and performances.
The new semester brings with it a vast array of opportunities for people to enjoy the arts at William & Mary.
Anne Rasmussen, William & Mary professor of music and ethnomusicology, spent the first six months of this year as a Fulbright U.S. Scholar researching Islamic music in Indonesia.
William & Mary librarian Kathleen DeLaurenti has been featured in the book "This is What a Librarian Looks Like."
W&M doctoral candidate James Padilioni's dissertation has taken a startling, and fascinating, detour from where it began.
William & Mary singers started off in their usual formal performance mode. But by the end of their summer trip to South Africa, the W&M Choir and Botetourt Chamber Singers had warmed up to a very different way of experiencing music.
Ten undergraduate student composers ended their Spring 2017 semester with a three-day Composers Laboratory, joining with faculty and the guest ensemble Mind on Fire to workshop and then present their original compositions in concert.