- Calligraphy Demonstration and Lecture by Prof. Dongwei Zhai
March 23&25, 2015
Dongwei Zhang is an artist and professor from the College of Art at Henan Univesity, where he also works as a Senior Researcher with the HENU Sung Dynasty Art Institute and Woodcut Printing Institute. In front of an audience comprised of both students and Williamsburg area residents, Professor Zhang lectured about the relationship between modern art and traditional calligraphy. He discussed how the 'playful' essence of traditional Chinese calligraphy is similar to the self-expression seen in Western modern art.
- U.S./China Film Symposium
April 10-12, 2014
William and Mary Confucius Institute co-sponsored the U.S.-China Film Symposium with the W&M Global Film Festival. The symposium opened with the screening of Lost In Thailand, a Chinese comedy, followed by a roundtable discussion, during which featured panelists opened up a conversation about the synergy between China and Hollywood, what movies are produced in each respective location, and how this affects the average moviegoer. The panelists were:
o Leon Xiao, Senior Professor, Beijing Normal University/W&M Confucius Institute Visiting Film Scholar
o Tim Barnard, Visiting Asst. Prof. of Film & Media Studies and Director of the W&M Global Film Festival, W&M
o Mia Liu, Postdoctoral Associate in East Asian Studies, Yale University
Prof. Leon Xiao, who worked for 20th-Century Fox and numerous Hollywood blockbusters in Los Angeles and New York for over a decade before returning to China, also had a brownbag lunch conversation with some W&M students to share his perspective on special effects and giant screens as well as his experience of working in Hollywood and China.
- Lecture "The Sun is Not So Central"
November 7, 2013
Having grown up in New York before moving to Beijing, American-born Michael Cherney has been living and working in China for twenty years under his Chinese name Qiu Mai (Autumn Wheat). Cherney is a successful photographer, calligrapher and illustrator; he works with the great sophistication that draws on the subtleties of China's most scholarly and esoteric traditions. His works have been collected by the Metropolitan Museum of Art's Department of Asian Art and were the first photographic works ever to enter the collection of that department. The lecture, co-sponsored by W&M Confucius Institute and the Department of Art & Art History, presented an overview of his artistic process and recent works. The art combined photography with the subject matter, aesthetics, materials and formats traditionally associated with classical Chinese painting, which allowed for viewing the present day environment and landscape in China through the lens of art history. In addition to the presentation, the artist guided the audience through viewing several handscrolls, albums and other works of his most recent creation.
- Lecture "Difference Means Art"
September 19, 2013
What does ''modern & contemporary'' ink painting mean from the perspective of the history of Chinese painting? Generations of artists have wrestled with the task of modernization of ink painting since the second-half of the nineteenth-century. Q. X. Wang, a Chinese ink painter and calligrapher, confronts the challenge in his every day life. Already a college professor of English literature in the U.S., Wang became a full-time artist in his 50s and spent decades shuffling between Eastern and Western traditions, in the quest for a new visual language based on the belief that ''Difference Means Art; Radical Difference Means Great Art'." The lecture, co-sponsored by W&M Confucius Institute and the Department of Art & Art History, presented his unconventional expressionist works and shared insights into the long process of artistic creation.
- William and Mary Confucius Institute China Lecture Series in Spring 2013
These lectures were part of a new China-related interdisciplinary lecture series primarily co-sponsored by the W&M Confucius Institute and the Department of History.
- “Financing Empire in Southwest China: Copper, Land and Local Society, 1650-1750” by Prof. John Herman, Virginia Commonwealth University
- “Neither Silk, nor a Road: reassessing the Impacts and Legacies of China's Eurasian Titration” by Prof. James Millward, Georgetown University
- “Civil and Military Tensions at the Early Kangxi Court” by Prof. Michael Chang, George Mason University
- Internationalization Grant Campus Presentation: Digital Learning in Cross Cultural Pedagogy
April 8 and Arpil 10, 2013
• digital story-telling for study abroad courses
• web-based assignments
• international collaboration assignments using social media
• digital media for language learning
• visual ethnography
Faculty discussed practical experience using multimedia web-based assignments in place of conventional research papers and exams. Presenters provided examples of these assignments, sample project guidelines, and feedback on student experience.
- Confucian Classics Faculty Forum
April 17, 2012
- Lecture "Transnational Chinese Students and the Quest for Flexible Citizenship in the Developed World"
April 2, 2012
Vanessa Fong, Associate Professor in the Graduate School of Education at Harvard University, was invited to talk about citizenship issues faced by transnational Chinese students in the developed world. The lecture was co-sponsored by W&M Confucius Institute and the Asia and Middle East Studies program (AMES).
- Lecture "Shanghai Expo and China's private Enterprises"
March 14, 2012
- Lecture "Analyzing 'Shanghai Expo 2010' as a Nationally-owned Enterprise of China"
March 12, 2012
This lecture by Zhang Jijiao was co-sponsored by W&M's Asian and Middle Eastern Studies (AMES). In this lecture, Professor Zhang explored Shanghai Expo 2010 as a nationally-owned enterprise, and even used it as a symbol of China's national economy.